A gull, up close,
looks surprisingly stuffed.
His fluffy chest seems filled
with an inexpensive taxidermist’s material
rather lumpily inserted. The legs,
unbent, are childish crayon strokes—
too simple to be workable.
And even the feather-markings,
whose intricate symmetry is the usual glory of birds,
are in the gull slovenly,
as if God makes too many
to make them very well.
Are they intelligent?
We imagine so, because they are ugly.
The sardonic one-eyed profile, slightly cross,
the narrow, ectomorphic head, badly combed,
the wide and nervous and well-muscled rump
all suggest deskwork: shipping rates
by day, Schopenhauer
by night, and endless coffee.
At that hour on the beach
when flies begin biting in the renewed coolness
and the backsliding skin of the after-surf
reflects a pink shimmer before being blotted,
the gulls stand around in the dimpled sand
like those melancholy European crowds
that gather in cobbled public squares in the wake
of assassinations and invasions,
heads cocked to hear the latest radio reports.
It is also this hour when plump young couples
walk down to the water, bumping together,
and stand thigh-deep in the rhythmic glass.
Then they walk back toward the car,
tugging as if at a secret between them,
but which neither quite knows—
walk capricious paths through scattering gulls,
as in some mythologies
beautiful gods stroll unconcerned
among our mortal apprehensions.
Ending Poetry Month with Updike
Today marks the end of National Poetry Month. Treat yourself by taking the time to listen to John Updike read one of his early poems, "Seagulls" (scroll down the page a bit for the audio button).