Paradoxes for a Francophile

In chapter two of Part One, we find the young Thomas Merton returning to France, the land of his birth. It opens with this musing from the older Merton, in puzzled recollection:

"How did it ever happen that, when the dregs of the world had collected in western Europe, when Goth and Frank and Norman and Lombard had mingled with the rot of old Rome to form a patchwork of hybrid races, all of them notable for ferocity, hatred, stupidity, craftiness, lust, and brutality--how did it happen that, from all of this, there should come Gregorian chant, monasteries and cathedrals, the poems of Prudentius, the commentaries and histories of Bede, the Moralia of Gregory the Great, St. Augustine's City of God, and his Trinity, the writings of Anselm, St. Bernard's sermons on the Canticles, the poetry of Caedmon and Cynewulf and Langland and Dante, St. Thomas' Summa, and the Oxoniense of Duns Scotus?

How does it happen that even today a couple of ordinary French stonemasons, or a carpenter and his apprentice, can put up a dovecote or a barn that has more architectural perfection than the piles of eclectic stupidity that grow up at the cost of hundreds of thousands of dollars on the campuses of American universities?"

~Merton, The Seven Storey Mountain, p. 33

Brothers: Elder, Prodigal, and Otherwise

"I suppose it is usual for elder brothers, when they are still children, to feel themselves demeaned by the company of a brother four or five years younger, whom they regard as a baby and whom they tend to patronise and look down upon. So when Russ and I and Bill made huts in the woods out of boards and tar-paper which we collected around the foundations of the many cheap houses which the speculators were now putting up, as fast as they could, all over Douglaston, we severely prohbitited John Paul and Russ's little brother Tommy and their friends from coming anywhere near us. And if they did try to come and get into our hut, or even to look at it, we would chase them away with stones.

When I think now of that part of my childhood, the picture I get of my brother John Paul is this: standing in a field, about a hundred years away from the clump of sumachs where we have built our hut, is this little perplexed five-year-old kid in short pants and a kind of a leather jacket, standing quite still, with his arms hanging down at his sides, and gazing in our direction, afraid to come any nearer on account of the stones, as insulted as he is saddened, and his eyes full of indignation and sorrow. And yet he does not go away. We shout at him to get out of there, to beat it, and go home, and wing a couple of more rocks in that direction, and he does not go away. We tell him to play in some other place. He does not move.

And there he stands, not sobbing, not crying, but angry and unhappy and offended and tremendously sad. And yet he is fascinated by what we are doing, nailing shingles all over our new hut. And his tremendous desire to be with us and to do what we are doing will not permit him to go away. The law written in his nature says that he must be with his elder brother, and do what he is doing: and he cannot understand why this law of love is being so wildly and unjustly violated in his case."

~Merton, The Seven Storey Mountain, pp. 25-26